Rühse, V. (2022). Film und Kino als Spiegel - Siegfried Kracauers Filmschriften aus Deutschland und Frankreich. De Gruyter, Berlin/Boston
Grau, O.; Ettel, L.; Hoffmann, C.; Wöran, A.; Zamora, C. (2022). Revealing Higher Impact of Media Art Archiving. In: ISEA 2022, Second Summit on New Media Art Archiving | Proceedings: 3, ISEA 2022, Barcelona
Rühse, V. (2022). At the Frontline: Lee Miller as a Surrealist War Correspondent. In: Lynn Hilditch, Lee Miller's Surrealist Eye: New Insights: 118-140, Newcastle upon Tyne: Cambridge Scholars Publishing, Newcastle upon Tyne, NE6 2PA, UK
Grau, O., Hinterwaldner, I. (Hrsg.) (2021). Retracing Political Dimensions: Strategies in Contemporary New Media Art. DeGruyter, New York
Grau, O. (2021). Digital Art's Political Impact: Time for Hard Humanities! In: Grau, O.; Hinterwaldner, I., Retracing Political Dimensions: Strategies in Contemporary New Media Art. 34-53, De Gruyter, New York
Grau, O.; Hinterwaldner, I. (2021). Introduction. In: Grau, O.; Hinterwaldner, I., Retracing Political Dimensions: Strategies in Contemporary New Media Art. 9-18, DeGruyter, New York
Horvath, A.S.; Rühse, V.; Raptis D. (2021). SoundSculpt: A Design Framework for 3D Modelling and Digitally Fabricating Sound Patterns. In: OzCHI 2020, OzCHI 2020: 32nd Australian Conference on Human-Computer Interaction. Association for Computing Machinery, Proceedings 2020: doi.org/10.1145/3441000.3441017, OzCHI 2020, Australia
Rühse, V. (2021). Facebook’s MPK 20 Headquarters designed by Frank Gehry. In: Grau; O.; Hinterwaldner I., Retracing Political Dimensions: Strategies in Contemporary New Media: 242-256, DE GRUYTER, Berlin
Rühse, V. (2021). Travel-inspiring Skeletons in Spectre and Coco – Film Tourism and the Día de Muertos in Mexico. InMedia, 9.1.2021: https://journals.openedition.org/inmedia
Abgaz,Y.; Souza, R.; Methuku, J.; Koch, G.; Dorn, A. (2021). A Methology for Semantic Enrichment of Cultural Heritage Images Using Artificial Interlligence Technologies. J. Imaging, Fine Art Pattern Extraction and Recognition: 7; 121, MDPI Open Access Journals, https://doi.org/10.3390/jimaging7080121
De Souza, M.; Souza, R. (2021). Mapeamento de conhecimento científico: modelagem de tópicos das teses e dissertações do Programa de Pós-Graduação em Ciência da Informação da UFMG. em questao, 27: 228-250
Müller, R. (2021). Claudia Robles-Angel: How to perceive the imperceptible - The body seen as an audio-visual instrument. Archive of Digital Art (ADA), online
Rühse, V. (2021). FRANEK. Christoph Kohl und Claudia Rinke, „Anders normal! Revision einer Sehschwäche“, ISBN: 978-3-86206-934-7: 58-59, Kettler 2021, Dortmund
Rühse, V. (2021). Maina-Miriam Munsky. Christoph Kohl und Claudia Rinke, Anders normal! Revision einer Sehschwäche, ISBN: 978-3-86206-934-7: 96-97, Kettler 2021, Dortmund
Rühse, V. (2021). Hannah Höch. Christoph Kohl und Claudia Rinke, Anders normal! Revision einer Sehschwäche, ISBN: 978-3-86206-934-7: 66-67, Kettler 2021, Dortmund
Rühse, V. (2021). Paula Modersohn-Becker. Christoph Kohl und Claudia Rinke, Anders normal! Revision einer Sehschwäche, ISBN: 978-3-86206-934-7: 94-95, Kettler 2021, Dortmund
Rühse, V. (2021). Travel-inspiring Skeletons in Spectre und Coco - Film Tourism and the Día de Muertos in Mexico. InMedia, 9. Jänner 2021: http://journals.openedition.org/inmedia/2985
Rühse, V.; Horvath, A. (2021). Chladni Patterns Gone 3D. Computational Design and Digital Fabrication Methods for Producing Sound-Informed Geometries. Howard Griffin, Connections: Exploring Heritage, Architecture, Cities, Art, Media,: Part II 316-326, AMPS Proceedings Series (published March 2021)
Zamora, C. (2021). Suzanne Anker. Archive of Digital Art (ADA), Online
Coones, W. (2020). Elaborating Mediation Through Media Arts. In: Hava Aldouby, Shifting Interfaces An Anthology of Presence, Empathy, and Agency in 21st-Century Media Arts: 91-110, Leuven University Press, Leuven, Belgium