Viola Rühse

Functions

Head of Center

Programme Director

About the person

Viola Rühse works as the head of the Center for Image Science and course director at the University for Continuing Education Krems in Austria. She studied History of Art and German Language and Literature at the universities of Hamburg and Vienna and obtained her PhD with a dissertation on Siegfried Kracauer’s film writings. Her current main topics of research – in addition to film theory – are modern and contemporary art, science images, and critical theory. She also works as an artist/photographer and curator. One of her critical essays received the Bazon Brock Essay Award.

Projects (Extract Research Database)

Running projects

Infrastructures for Digital Arts Teaching and Research in Higher Education

Duration: 01/03/2020–29/02/2024
Principle investigator for the project (University for Continuing Education Krems): Viola Rühse
Funding: Bund (Ministerien)

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Completed projects

Tool Development for Image Data Literacy: Understanding Digital Art with complex data analysis – (ImDaLi)

Duration: 01/12/2021–31/12/2023
Principle investigator for the project (University for Continuing Education Krems): Viola Rühse
Funding: Bundesländer (inkl. deren Stiftungen und Einrichtungen)

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Publications (Extract Research Database)

Böhm, K., Blaschitz, E., Rühse, V. (2024). Nothing Left to See? Stalag XVII B Krems-Gneixendorf – A Topographic Survey. Bibliothek der Provinz, Weitra

Böhm, K., Blaschitz, E., Rühse, Viola (2024). Nichts zu sehen? Stalag XVII B Krems-Gneixendorf – eine topografische Vermessung. Bibliothek der Provinz, Weitra

Ettel L.; Wöran A. (2023). Perspektiven Digitaler Archivierung -- Das Archive of Digital Art und die Graphische Sammlung Stift Göttweig Online im Kontext des Kulturerbes Niederösterreich. Österreich in Geschichte und Literatur (mit Geographie), 4/2023: 28-44

Ettel Laura, Wöran Alexander, Iskra Isabella (2023). Blurriness in Media Art Archiving – Where Theory Encounters Practice, the Archive of Digital Art (ADA). MAST – The Journal of Media Art Study and Theory, Vol.4/No.1, 2023: 136

Rühse Viola; Hoffman Carl Phillipp (2023). Lehr- und Forschungsinfrastruktur für Digitale Künste an Hochschulen (LeFo): Die Initiative "Connecting New Media Art Archives ". Zeitschrift für Hochschulentwicklung Jg. 18, Sonderheft November: 163

Rühse Viola, Anca-Simona Horvath (2023). The presence of the absence: sensory aesthetics and Magnetic Resonance Imaging. In: Silvia Casini, Giving Bodies Back to Data: Image Makers, Bricolage, and Reinvention in Magnetic Resonance Technology: 66-68, The MIT Press, Aberdeen

Rühse Viola; Anca-Simona Horvath (2023). Visualizing Sound Waves – Complex Media Art and Chladni Patterns. Comité International de l'Histoire de l'Art, MOTION: MIGRATIONS -- PROCEEDINGS OF THE 35TH WORLD CONGRESS OF ART HISTORY: 533-550, Sao Paulo

Windhager, F.; Rühse, V.; Smuc, M. (2023). Monster in a Snow Globe: Biographies as Data Physicalizations. IEEE VISAP 2023, IEEE VISAP 2023 – Perpetual Presence: 28-29, IEEE VISAP, Melbourne

Rühse, V.; Windhager, F. (2023). Prolegomena zu der geplanten digitalen Edition des Radierten Tagebuchs von Herwig Zens. In: Herwig Zens. Keine Zeit: 14-29, Verlag für moderne Kunst 2023,, Wien

Rühse, V. (2022). Film und Kino als Spiegel - Siegfried Kracauers Filmschriften aus Deutschland und Frankreich. De Gruyter, Berlin/Boston

Rühse, V. (2022). At the Frontline: Lee Miller as a Surrealist War Correspondent. In: Lynn Hilditch, Lee Miller's Surrealist Eye: New Insights: 118-140, Newcastle upon Tyne: Cambridge Scholars Publishing, Newcastle upon Tyne, NE6 2PA, UK

Horvath, A.S.; Rühse, V.; Raptis D. (2021). SoundSculpt: A Design Framework for 3D Modelling and Digitally Fabricating Sound Patterns. In: OzCHI 2020, OzCHI 2020: 32nd Australian Conference on Human-Computer Interaction. Association for Computing Machinery, Proceedings 2020: doi.org/10.1145/3441000.3441017, OzCHI 2020, Australia

Rühse, V. (2021). Facebook’s MPK 20 Headquarters designed by Frank Gehry. In: Grau; O.; Hinterwaldner I., Retracing Political Dimensions: Strategies in Contemporary New Media: 242-256, DE GRUYTER, Berlin

Rühse, V. (2021). Travel-inspiring Skeletons in Spectre and Coco – Film Tourism and the Día de Muertos in Mexico. InMedia, 9.1.2021: https://journals.openedition.org/inmedia

Rühse, V. (2021). Maina-Miriam Munsky. Christoph Kohl und Claudia Rinke, Anders normal! Revision einer Sehschwäche, ISBN: 978-3-86206-934-7: 96-97, Kettler 2021, Dortmund

Rühse, V. (2021). Hannah Höch. Christoph Kohl und Claudia Rinke, Anders normal! Revision einer Sehschwäche, ISBN: 978-3-86206-934-7: 66-67, Kettler 2021, Dortmund

Rühse, V. (2021). Travel-inspiring Skeletons in Spectre und Coco - Film Tourism and the Día de Muertos in Mexico. InMedia, 9. Jänner 2021: http://journals.openedition.org/inmedia/2985

Rühse, V. (2021). FRANEK. Christoph Kohl und Claudia Rinke, „Anders normal! Revision einer Sehschwäche“, ISBN: 978-3-86206-934-7: 58-59, Kettler 2021, Dortmund

Rühse, V. (2021). Paula Modersohn-Becker. Christoph Kohl und Claudia Rinke, Anders normal! Revision einer Sehschwäche, ISBN: 978-3-86206-934-7: 94-95, Kettler 2021, Dortmund

Rühse, V.; Horvath, A. (2021). Chladni Patterns Gone 3D. Computational Design and Digital Fabrication Methods for Producing Sound-Informed Geometries. Howard Griffin, Connections: Exploring Heritage, Architecture, Cities, Art, Media,: Part II 316-326, AMPS Proceedings Series (published March 2021)

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Lectures (Extract Research Database)

Infrastructures for Digital Arts Teaching and Research in Higher Education (LeFo): The “Connecting New Media Art Archives Worldwide” Initiative

Digitale Forschung / Digitale Administration: Projekte österreichischer Hochschulen 2022-2024, 13/05/2024

A comparative study of contemporary mycelium imagery in art and architecture

POM - Politics of the machines, RWTH Aachen,, 24/04/2024

Vienna Noir - The Third Man film tourism in Vienna

Internationale Konferenz „Tourism, Arts and Memory(ies)“, Universität Lille, 29/03/2024

New Perspectives for Participatory Media Art Documentation

DAS KUNSTMUSEUM IM DIGITALEN ZEITALTER 2024, 19/01/2024

Digitales Tagebuch von Herwig Zens

DIE TAGEBUCHBLÄTTER VON HERWIG ZENS, 18/11/2023

Philosophi*A – Wissenschaft und Kreativität

Ausstellung Philosophi*A, 09/11/2023

Zur digitalen Edition des radierten Tagebuches von Herwig Zens

22. Tagung des Verbands der österreichischen Kunsthistorikerinnen und Kunsthistoriker (VöKK) Transformationen – Zeiten des Umbruchs, 05/11/2023

Monster in a Snow Globe: Biographies as Data Physicalizations

Biographies as Data Physicalizations, 24/10/2023

Expanding the Archive of Digital Art

Ars Electronica Festival 2023, 12/10/2023

Expanded archiving in the Archive of Digital Art

Expanded Archiving & Explorative Research of Media Art, 10/10/2023

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