Dr.phil. Viola Rühse, M.A.
- viola.ruehse@donau-uni.ac.at
- +43 2732 893-2570
- To contact form
- Campus Krems, Tract F, 1st Floor, 1.03
- University for Continuing Education Krems
- Center for Image Science
- Dr.-Karl-Dorrek-Straße 30
- 3500 Krems
- Austria
Functions
Head of Center
Programme Director
About the person
Viola Rühse works as the head of the Center for Image Science and course director at the University for Continuing Education Krems in Austria. She studied History of Art and German Language and Literature at the universities of Hamburg and Vienna and obtained her PhD with a dissertation on Siegfried Kracauer’s film writings. Her current main topics of research – in addition to film theory – are modern and contemporary art, science images, and critical theory. She also works as an artist/photographer and curator. One of her critical essays received the Bazon Brock Essay Award.
Projects (Extract Research Database)
Running projects
Duration: 03/06/2024–31/10/2024
Principle investigator for the project (University for Continuing Education Krems): Viola Rühse
Funding: Bund (Ministerien)
Infrastructures for Digital Arts Teaching and Research in Higher Education
Duration: 01/03/2020–29/02/2024
Principle investigator for the project (University for Continuing Education Krems): Viola Rühse
Funding: Bund (Ministerien)
Completed projects
Duration: 01/12/2021–31/12/2023
Principle investigator for the project (University for Continuing Education Krems): Viola Rühse
Funding: Bundesländer (inkl. deren Stiftungen und Einrichtungen)
Publications (Extract Research Database)
Böhm, K., Blaschitz, E., Rühse, V. (2024). Nothing Left to See? Stalag XVII B Krems-Gneixendorf – A Topographic Survey. Bibliothek der Provinz, Weitra
Böhm, K., Blaschitz, E., Rühse, Viola (2024). Nichts zu sehen? Stalag XVII B Krems-Gneixendorf – eine topografische Vermessung. Bibliothek der Provinz, Weitra
Ettel L.; Wöran A. (2023). Perspektiven Digitaler Archivierung -- Das Archive of Digital Art und die Graphische Sammlung Stift Göttweig Online im Kontext des Kulturerbes Niederösterreich. Österreich in Geschichte und Literatur (mit Geographie), 4/2023: 28-44
Ettel Laura, Wöran Alexander, Iskra Isabella (2023). Blurriness in Media Art Archiving – Where Theory Encounters Practice, the Archive of Digital Art (ADA). MAST – The Journal of Media Art Study and Theory, Vol.4/No.1, 2023: 136
Rühse Viola; Hoffman Carl Phillipp (2023). Lehr- und Forschungsinfrastruktur für Digitale Künste an Hochschulen (LeFo): Die Initiative "Connecting New Media Art Archives ". Zeitschrift für Hochschulentwicklung Jg. 18, Sonderheft November: 163
Rühse Viola, Anca-Simona Horvath (2023). The presence of the absence: sensory aesthetics and Magnetic Resonance Imaging. In: Silvia Casini, Giving Bodies Back to Data: Image Makers, Bricolage, and Reinvention in Magnetic Resonance Technology: 66-68, The MIT Press, Aberdeen
Rühse Viola; Anca-Simona Horvath (2023). Visualizing Sound Waves – Complex Media Art and Chladni Patterns. Comité International de l'Histoire de l'Art, MOTION: MIGRATIONS -- PROCEEDINGS OF THE 35TH WORLD CONGRESS OF ART HISTORY: 533-550, Sao Paulo
Windhager, F.; Rühse, V.; Smuc, M. (2023). Monster in a Snow Globe: Biographies as Data Physicalizations. IEEE VISAP 2023, IEEE VISAP 2023 – Perpetual Presence: 28-29, IEEE VISAP, Melbourne
Rühse, V.; Windhager, F. (2023). Prolegomena zu der geplanten digitalen Edition des Radierten Tagebuchs von Herwig Zens. In: Herwig Zens. Keine Zeit: 14-29, Verlag für moderne Kunst 2023,, Wien
Rühse, V. (2022). Film und Kino als Spiegel - Siegfried Kracauers Filmschriften aus Deutschland und Frankreich. De Gruyter, Berlin/Boston
Rühse, V. (2022). At the Frontline: Lee Miller as a Surrealist War Correspondent. In: Lynn Hilditch, Lee Miller's Surrealist Eye: New Insights: 118-140, Newcastle upon Tyne: Cambridge Scholars Publishing, Newcastle upon Tyne, NE6 2PA, UK
Horvath, A.S.; Rühse, V.; Raptis D. (2021). SoundSculpt: A Design Framework for 3D Modelling and Digitally Fabricating Sound Patterns. In: OzCHI 2020, OzCHI 2020: 32nd Australian Conference on Human-Computer Interaction. Association for Computing Machinery, Proceedings 2020: doi.org/10.1145/3441000.3441017, OzCHI 2020, Australia
Rühse, V. (2021). Facebook’s MPK 20 Headquarters designed by Frank Gehry. In: Grau; O.; Hinterwaldner I., Retracing Political Dimensions: Strategies in Contemporary New Media: 242-256, DE GRUYTER, Berlin
Rühse, V. (2021). Travel-inspiring Skeletons in Spectre and Coco – Film Tourism and the Día de Muertos in Mexico. InMedia, 9.1.2021: https://journals.openedition.org/inmedia
Rühse, V. (2021). Hannah Höch. Christoph Kohl und Claudia Rinke, Anders normal! Revision einer Sehschwäche, ISBN: 978-3-86206-934-7: 66-67, Kettler 2021, Dortmund
Rühse, V. (2021). Maina-Miriam Munsky. Christoph Kohl und Claudia Rinke, Anders normal! Revision einer Sehschwäche, ISBN: 978-3-86206-934-7: 96-97, Kettler 2021, Dortmund
Rühse, V. (2021). FRANEK. Christoph Kohl und Claudia Rinke, „Anders normal! Revision einer Sehschwäche“, ISBN: 978-3-86206-934-7: 58-59, Kettler 2021, Dortmund
Rühse, V. (2021). Paula Modersohn-Becker. Christoph Kohl und Claudia Rinke, Anders normal! Revision einer Sehschwäche, ISBN: 978-3-86206-934-7: 94-95, Kettler 2021, Dortmund
Rühse, V. (2021). Travel-inspiring Skeletons in Spectre und Coco - Film Tourism and the Día de Muertos in Mexico. InMedia, 9. Jänner 2021: http://journals.openedition.org/inmedia/2985
Rühse, V.; Horvath, A. (2021). Chladni Patterns Gone 3D. Computational Design and Digital Fabrication Methods for Producing Sound-Informed Geometries. Howard Griffin, Connections: Exploring Heritage, Architecture, Cities, Art, Media,: Part II 316-326, AMPS Proceedings Series (published March 2021)
Lectures (Extract Research Database)
Infrastructures for Digital Arts Teaching and Research in Higher Education (LeFo): The “Connecting New Media Art Archives Worldwide” Initiative
Digitale Forschung / Digitale Administration: Projekte österreichischer Hochschulen 2022-2024, 13/05/2024
A comparative study of contemporary mycelium imagery in art and architecture
POM - Politics of the machines, RWTH Aachen,, 24/04/2024
Vienna Noir - The Third Man film tourism in Vienna
Internationale Konferenz „Tourism, Arts and Memory(ies)“, Universität Lille, 29/03/2024
New Perspectives for Participatory Media Art Documentation
DAS KUNSTMUSEUM IM DIGITALEN ZEITALTER 2024, 19/01/2024
Digitales Tagebuch von Herwig Zens
DIE TAGEBUCHBLÄTTER VON HERWIG ZENS, 18/11/2023
Philosophi*A – Wissenschaft und Kreativität
Ausstellung Philosophi*A, 09/11/2023
Zur digitalen Edition des radierten Tagebuches von Herwig Zens
22. Tagung des Verbands der österreichischen Kunsthistorikerinnen und Kunsthistoriker (VöKK) Transformationen – Zeiten des Umbruchs, 05/11/2023
Monster in a Snow Globe: Biographies as Data Physicalizations
Biographies as Data Physicalizations, 24/10/2023
Expanding the Archive of Digital Art
Ars Electronica Festival 2023, 12/10/2023
Expanded archiving in the Archive of Digital Art
Expanded Archiving & Explorative Research of Media Art, 10/10/2023