Viola Rühse

Functions

Head of Center

Programme Director

About the person

Viola Rühse works as the head of the Center for Image Science and course director at the University for Continuing Education Krems in Austria. She studied History of Art and German Language and Literature at the universities of Hamburg and Vienna and obtained her PhD with a dissertation on Siegfried Kracauer’s film writings. Her current main topics of research – in addition to film theory – are modern and contemporary art, science images, and critical theory. She also works as an artist/photographer and curator. One of her critical essays received the Bazon Brock Essay Award.

Projects (Extract Research Database)

Publications (Extract Research Database)

Rühse, V. (2022). Film und Kino als Spiegel - Siegfried Kracauers Filmschriften aus Deutschland und Frankreich. De Gruyter, Berlin/Boston

Horvath, A.S.; Rühse, V.; Raptis D. (2021). SoundSculpt: A Design Framework for 3D Modelling and Digitally Fabricating Sound Patterns. In: OzCHI 2020, OzCHI 2020: 32nd Australian Conference on Human-Computer Interaction. Association for Computing Machinery, Proceedings 2020: doi.org/10.1145/3441000.3441017, OzCHI 2020, Australia

Rühse, V. (2021). Facebook’s MPK 20 Headquarters designed by Frank Gehry. In: Grau; O.; Hinterwaldner I., Retracing Political Dimensions: Strategies in Contemporary New Media: 242-256, DE GRUYTER, Berlin

Rühse, V. (2021). Travel-inspiring Skeletons in Spectre and Coco – Film Tourism and the Día de Muertos in Mexico. InMedia, 9.1.2021: https://journals.openedition.org/inmedia

Rühse, V. (2021). Travel-inspiring Skeletons in Spectre und Coco - Film Tourism and the Día de Muertos in Mexico. InMedia, 9. Jänner 2021: http://journals.openedition.org/inmedia/2985

Rühse, V. (2021). Hannah Höch. Christoph Kohl und Claudia Rinke, Anders normal! Revision einer Sehschwäche, ISBN: 978-3-86206-934-7: 66-67, Kettler 2021, Dortmund

Rühse, V. (2021). Paula Modersohn-Becker. Christoph Kohl und Claudia Rinke, Anders normal! Revision einer Sehschwäche, ISBN: 978-3-86206-934-7: 94-95, Kettler 2021, Dortmund

Rühse, V. (2021). Maina-Miriam Munsky. Christoph Kohl und Claudia Rinke, Anders normal! Revision einer Sehschwäche, ISBN: 978-3-86206-934-7: 96-97, Kettler 2021, Dortmund

Rühse, V. (2021). FRANEK. Christoph Kohl und Claudia Rinke, „Anders normal! Revision einer Sehschwäche“, ISBN: 978-3-86206-934-7: 58-59, Kettler 2021, Dortmund

Rühse, V.; Horvath, A. (2021). Chladni Patterns Gone 3D. Computational Design and Digital Fabrication Methods for Producing Sound-Informed Geometries. Howard Griffin, Connections: Exploring Heritage, Architecture, Cities, Art, Media,: Part II 316-326, AMPS Proceedings Series (published March 2021)

Rühse, V. (2020). Las pinturas de cine de Edward Hopper. Nostalgia del palacio de cine, desilusión del acomodador y amenazas de bomba. In: Universität Malaga, Boletín de Arte 20: Nr. 20, Universität Malaga, Malaga, Spanien

Rühse, V., Horvath, A.S. (2020). The Chladni Wall. In: Constantine Stephanidis et. al. (ed.), HCI International 2020 – Late Breaking Posters, Proceedings, Part II: 10.1007/978-3-030-60703-6_50, Springer, Copoenhagen, Denmark

Rühse, V. (2020). Luxurious cinema palaces in the roaring twenties and the 21st century: Critical analyses of movie theatres by Siegfried Kracauer and their relevance today. Cultural Intertexts, Nr. 10: 13-30

Rühse, V. (2019). Duane Hanson’s Man on Mower – A Suburban American Everybody in the Mid-1990s. In: Anna Schober, Popularisation and populism in the visual arts: attraction images: 138-147, Routledge, New York, London

Rühse, V. (2019). Alison Knowles’s “Bean Rolls”: The influence of mycological and aesthetic discussions with John Cage on early women’s Fluxus aesthetics. In: RE:SOUND 2019, RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology: Proceedings, DOI:10.14236/ewic/resound19.1., Universität Aalborg, Aalborg Denmark

Grau, O.; Haller, S.; Hoth, J.; Rühse, V.; Schiller, D.; Seiser, M. (2019). Documenting Media Art: An Archive and Bridging Thesaurus for MediaArtHistories. Leonardo, 52: 435-441

Rühse, V. (2018). Das römische „Stadio dei Marmi“ in Fotografien von Armin Bardel. Armin Bardel, Aktuelle Fotografien, 2018: 11-16

Rühse, V.; Grau, O. (2018). Documenting Media Art: A WEB 2.0-Archive and Bridging Thesaurus for MediaArtHistories. LEONARDO, XX: 10

Rühse, V. (2018). Einführung in die Ausstellung „Armin Bardel – Aktuelle Fotografien. Armin Bardel - Aktuelle Fotografien - Ausstellung in der Galerie Daliko bis 9. März

Rühse, V. (2018). Verschiedene Aspekte der Landschafts- und Stadtdarstellungen des österreichischen Fotografenduos „Silverfineart".

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Lectures (Extract Research Database)

Siegfried Kracauer’s mountain film idea – critical tourism and political contexts

Konferenz „Mountains and Cinema“, 14/10/2021

The branding of Vienna as a global city and tourist destination for the generation X – Richard Linklater’s Before Sunrise and Viennese film promotion in the 1990s,

Konferenz „Tourism, arts and territories“, 07/10/2021

Edward Hoppers Kinobilder

Aktuelle Tendenzen in Fototheorie und Bildwissenschaft, 23/03/2021

Edward Hoppers Kinobilder

Vortragsreihe „Aktuelle Tendenzen in Fototheorie und Bildwissenschaft“, 23/03/2021

An der Front und in Hitlers Badewanne – Lee Miller als surrealistische Kriegskorrespondentin

HGB Leipzig, Institut für Theorie, 14/12/2020

SoundSculpt: A Design Framework for 3D Modelling and Digitally Fabricating Sound Patterns

OzCHI 2020: 32nd Australian Conference on Human-Computer Interaction. Association for Computing Machinery, 02/12/2020

Wolfgang Petzet’s pamphlet Verbotene Filme [Banned films] and the censorship debate at the end of the Weimar Republic

Screening Censorship Conference, 16/10/2020

Sonoid

Lange Nacht der Forschung Digital 2020, 09/10/2020

The Chladni Wall

22nd International Conference on Human-Computer Interaction, 19/07/2020

Chladni Patterns gone 3D: Computational design and digital fabrication methods for producing sound-informed geometries

Conference “Connections: Exploring Heritage, Architecture, Cities, Art, Media", 29/06/2020

Alison Knowles's "Sound Poetry": The Influence of Mycological and Aesthetic Discussions with John Cage on Early Women's Fluxus Aesthetics

RE:SOUND, the 8th International Conference on the Histories of Media Arts 2019, Aalborg University, Aalborg, Dänemark, 20/08/2019

Lee Miller als surrealistische Kriegskorrespondentin in Hitlers Badewanne

Duesseldorf Photo Weekend, Vortragsprogramm, Haus der Universität, Düsseldorf, Deutschland, 10/03/2019

Die digitale Sammlung des Rijksmuseums – Eine Fallstudie

Das Kunstmuseum im digitalen Zeitalter - 2019, Internationale Konferenz, Belvedere (Österreichische Galerie Belvedere), Wien, Österreich, 10/01/2019

Visual Competencies through Image Science

Lancaster University, Lancaster UK , 16/10/2018

Facebook’s green headquarters

SLSAeu conference 2018 („Green“), Universität Kopenhagen, 14/06/2018

Zu Victoria Coelns neuer chromotoper Lichtintervention

Ausstellungsraum Wien, 28/05/2018

Armin Bardel – Aktuelle Fotografien

Galerie Daliko, Krems an der Donau, 16/02/2018

Verschiedene Aspekte der Landschafts- und Stadtdarstellungen des österreichischen Fotografenduos „Silverfineart“

Bildraum 01, Wien, 17/01/2018

Facebook's MPK20 Headquarters by Frank Gehry

Re:Trace - 7th International Conference for Histories of Media Art, Science and Technology, 23/11/2017

Duane Hanson's Sculptures of American Everyday Life

3rd ISA Forum of Sociology: Viusalizing Spaces of the Everyday, 12/07/2016

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